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51. (Figure 35-7) a. Tenochtitlán b. Cuzco c. Tikal d. Machu Picchu 52. (Figure 35-14) a.

51. (Figure 35-7) a. Tenochtitlán b. Cuzco c. Tikal d. Machu Picchu 52. (Figure 35-14) a. Maria Martinez b. Bill Reid c. Otto Pentewa d. Karl Bodmer 53. (Figure 35-17) a. Apache b. Hopi c. Hidatsa d. Kwakiutl 54. (Figure 35-18) a. tipi hide b. ledger book c. illustrated bark d. codex 55. (Figure 35-12) a. Transformation mask b. Eskimo Shaman mask c. Hopi Katsina mask d. Tlingit mask     .
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51. (Figure 35-7) a. Tenochtitlán b. Cuzco c. Tikal d. Machu Picchu 52. (Figure 35-14) a.
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SLIDE IDENTIFICATION Select the response that identifies or corresponds best to

SLIDE IDENTIFICATION Select the response that identifies or corresponds best to the image on the screen. 41. (Figure 35-3) a. Golden Enclosure, Cuzco b. Coricancha, Cuzco c. Temple of Quetzalcoatl, Mexico d. Great Temple, Mexico 42. (Figure 35-2) a. Borgia Codex b. Santiago Codex c. Huastec Codex d. Maya Codex 43. (Figure 35-9) a. Southwest b. Tlingit c. Plains d. Aztec 44. (Figure 35-8) a. Guadalupe Basilica, Mexico.
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SLIDE IDENTIFICATION Select the response that identifies or corresponds best to
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61. (Figure 35-8A) a. Aztec b. Inka c. Mexica d. Haida 62. (Figure 35-1) a. Codex

61. (Figure 35-8A) a. Aztec b. Inka c. Mexica d. Haida 62. (Figure 35-1) a. Codex Mendoza b. Codex Cuzco c. Chilkat d. Codex Tlingit 63. (Figure 35-16A) a. Apache b. Tikal c. Iroquois d. Mandan 64. (Figure 35-14A) a. Fiberglass b. Plastic c. Cedar d. Carbon fiber     .
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61. (Figure 35-8A) a. Aztec b. Inka c. Mexica d. Haida 62. (Figure 35-1) a. Codex
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46. (Figure 34-16) a. Momoyama b. Muromachi c. Edo d. Meiji 47. (Figure 34-18) a. Le

46. (Figure 34-16) a. Momoyama b. Muromachi c. Edo d. Meiji 47. (Figure 34-18) a. Le Corbusier b. Frank Lloyd Wright c. Kenzo Tange d. I. M. Pei 48. (Figure 34-16) a. Hama Shoji b. Ogata Korin c. Kano Eitoku d. Hasegawa Tohaku 49. (Figure 34-12) a. scroll b. woodblock c. screen d. mural 50. (Figure 34-10) a. lacquer b. woodblock c. stoneware d. ivory     .
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46. (Figure 34-16) a. Momoyama b. Muromachi c. Edo d. Meiji 47. (Figure 34-18) a. Le
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16. Hokusai's The Great Wave Off Kanagawa combines Western and

16. Hokusai's The Great Wave Off Kanagawa combines Western and Japanese traditions. Which of the following describes the Japanese tradition? a. The wave is more traditionally flat and in the foreground. b. The background has a low horizon line. c. The wave is rounded and in the background. d. The background has no horizon.
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16. Hokusai's The Great Wave Off Kanagawa combines Western and
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11. During the Ming Dynasty, which of the following was

11. During the Ming Dynasty, which of the following was considered the most prestigious painting style? a. imperial court portraits b. history paintings c. bamboo paintings d. landscape painting 12. The Noon Gate in the Forbidden City has five portals. Only the emperor can walk through the center portal. The next two portals immediately to.
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11. During the Ming Dynasty, which of the following was
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26. The People's Republic of China was established in ____? a.

26. The People's Republic of China was established in ____? a. 1849 b. 1917 c. 1945 d. 1949 27. In his painting Kumgang Mountains, the Korean Choson Dynasty artist Chong Son evoked an actual scene. Which of the following describes this type of painting? a. special landscape painting b. true mountain painting c. true view painting d. true mountain.
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26. The People's Republic of China was established in ____? a.
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56. (Figure 35-11) a. Plains b. Northwest Coast c. Southwest d. Eskimo 57. (Figure 35-15) a.

56. (Figure 35-11) a. Plains b. Northwest Coast c. Southwest d. Eskimo 57. (Figure 35-15) a. Plains b. Southwest c. Northwest Coast d. Inuit 58. (Figure 35-17) a. Karl Bodmer b. Otto Pentewa c. Bill Reid d. Doug Kranmer 59. (Figure 35-10) a. Bill Reid b. Karl Bodmer c. Otto Pentewa d. Doug Kranmer 60. (Figure 35-15) a. Chilkat blanket b. Navajo blanket c. Plains hide d. Plains robe     .
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56. (Figure 35-11) a. Plains b. Northwest Coast c. Southwest d. Eskimo 57. (Figure 35-15) a.
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SLIDE IDENTIFICATION Select the response that identifies or corresponds best to

SLIDE IDENTIFICATION Select the response that identifies or corresponds best to the image on the screen. 41. (Figure 34-18) a. Momoyama b. Edo c. Meiji d. Post-Modern (Contemporary) 42. (Figure 34-5) a. pastel b. scroll c. oil on canvas d. screen 43. (Figure 34-6) a. Shino ware b. Oribe ware c. celadon d. Nabeshima ware 44. (Figure 34-13) a. screen b. scroll c. woodblock d. ink 45. (Figure 34-3) a. Kano Motonobu b. Tosa.
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SLIDE IDENTIFICATION Select the response that identifies or corresponds best to
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11. Which painting style characterized by bold outlines and presentation

11. Which painting style is characterized by bold outlines and presentation of objects along the vertical plane of the painting surface? a. Broken-ink style b. Chan style c. Kano style d. Hideyoshi style 12. During the Momoyama period the tea ceremony became a very important tool to express humility. How did this expression of humility.
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11. Which painting style characterized by bold outlines and presentation
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36. Which of the following describes the function of the

36. Which of the following describes the function of the tatami? a. inner courtyard of country villas b. special sliding door to exit house interior into the garden c. allows the interiors rooms to be widened d. accommodates the custom of not wearing shoes indoors 37. Kano Motonobu was largely responsible for establishing the Kano.
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36. Which of the following describes the function of the
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61. (Figure 34-1) a. engraving b. woodblock c. etching d. watercolor 62. (Figure 34-9A) a. Sotatsu b.

61. (Figure 34-1) a. engraving b. woodblock c. etching d. watercolor 62. (Figure 34-9A) a. Sotatsu b. Momoyama c. Utamaro d. Hiroshige 63. (Figure 34-2A) a. temple b. rock garden c. sculpture garden d. beach house 64. (Figure 34-4A) a. Momoyama b. Edo c. Meiji d. Muromachi 65. (Figure 34-12A) a. Katsushika Hokusai b. Toyo Sesshu c. Kitagawa Utamaro d. Ogata Korin     .
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61. (Figure 34-1) a. engraving b. woodblock c. etching d. watercolor 62. (Figure 34-9A) a. Sotatsu b.
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31. What was the favorite exercise of cultivation and refinement

31. What was the favorite exercise of cultivation and refinement in the Momoyama period? a. flower arranging b. bird watching c. tea ceremony d. working on dry landscape 32. How did the Taian teahouse encourage intimacy among the guests and tea host? a. The guests were required to come with only selected "good friends." b. The tea.
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31. What was the favorite exercise of cultivation and refinement
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31. Who codified the distinction between a scholar-amateur and an

31. Who codified the distinction between a scholar-amateur and an academic-professional? a. Dai Jin b. Shitao c. Chong Son d. Don Qichang 32. The last Chinese native dynasty was which of the following? a. Ming b. Choson c. Qing d. Yuan 33. Chinese garden design is akin to ____. a. composing a poem b. rigorous exercise c. common work d. painting a political event 34..
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31. Who codified the distinction between a scholar-amateur and an
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21. The great strength of Japanese art has been its

21. The great strength of Japanese art has been its innovation through which of the following? a. experimentation b. individual effort c. adaptation d. market forces 22. Which of the following schools combined colorism with Chinese ink brush outlines in the sixteenth-century? a. the Heian School b. the Jataka School c. the Tosa and Kano Schools d. the Edo.
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21. The great strength of Japanese art has been its
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21. The phoenix may represent the ying, the principle characterized

21. The phoenix may represent the ying, the principle characterized by which of the following? a. active masculine energy b. eternal change c. harmonious disorder d. passive feminine energy 22. Which of the following dynasties designed the core of the imperial palace in the Forbidden City? a. Qing b. Ming c. Yuan d. Song 23. Xu Bing, a contemporary Chinese.
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21. The phoenix may represent the ying, the principle characterized
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16. The work of the contemporary Korean artist, Song Su-Nam

16. The work of the contemporary Korean artist, Song Su-Nam has been likened to which of the following American painters? a. Jackson Pollock b. Morris Louis c. Mark Rothko d. Barnett Newman 17. Which of the following is the preferred medium for East Asian literati? a. oil on paper b. oil on canvas c. ink on paper d. watercolor 18..
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16. The work of the contemporary Korean artist, Song Su-Nam
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26. What became a major genre in Japan in the

26. What became a major genre in Japan in the late 19th century? a. oil painting b. pastels c. ink screens d. portrait sculpture 27. Which style of painting incorporates some Western techniques such as chiaroscuro, perspective, and bright hues in basically Japanese-style paintings? a. yoga b. nanga c. nihonga d. chan 28. Tokugawa rulers banned Christianity and all Westerners.
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26. What became a major genre in Japan in the
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1. Which of the following stops provided a small but

1. Which of the following stops provided a small but impressive cache of gold and initiated the expedition of Hernán Cortés to Mexico? a. along the coast of Veracruz b. along the coast of Yucatán c. along the coast of Ixtapa d. along the coast of Tampico 2. The depiction of Quetzalcoatl and Mictlantecuhtli seen.
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1. Which of the following stops provided a small but
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6. What the Chinese term for Zen? a. Zhuan b. Zhao c. Chan d.

6. What is the Chinese term for Zen? a. Zhuan b. Zhao c. Chan d. Hoitsu 7. During the Muromachi period superior knowledge and refinement legitimized the elevated status of the warrior elite. Which of the following would support this elevation? a. familiarity with Chinese Zen culture b. familial relationship with the Muromachi c. status within the Imperial.
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6. What the Chinese term for Zen? a. Zhuan b. Zhao c. Chan d.
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46. (Figure 35-16) a. Yupik Eskimo b. Northwest Coast c. Plains d. Inuit 47. (Figure

46. (Figure 35-16) a. Yupik Eskimo b. Northwest Coast c. Plains d. Inuit 47. (Figure 35-14) a. Inuit b. Kwakiutl c. Tlingit d. Haida 48. (Figure 35-11) a. Bill Reid b. Doug Kranmer c. Otto Pentewa d. María Martínez 49. (Figure 35-6) a. Coyolxauhqui b. Coatlicue c. Huitzilopochtli d. Mictlantecuhtli 50. (Figure 35-4) a. Aztec b. Mixtec c. Inka d. Zapotec     .
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46. (Figure 35-16) a. Yupik Eskimo b. Northwest Coast c. Plains d. Inuit 47. (Figure
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1. After the overthrow of the Tokugawa, a new period

1. After the overthrow of the Tokugawa, a new period ensued, called the Meiji that translates to ____. a. Divine Rule b. Blessed Rule c. Holy Rule d. Enlightened Rule 2. What did Tokugawa Ieyasu revive after he consolidated power? a. the Imperial Court b. the title of Shogun c. trade with the United States d. relations with the.
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1. After the overthrow of the Tokugawa, a new period
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56. (Figure 34-13) a. Katsushika Hokusai b. Toyo Sesshu c. Yosa Buson d. Ogata

56. (Figure 34-13) a. Katsushika Hokusai b. Toyo Sesshu c. Yosa Buson d. Ogata Korin 57. (Figure 34-10) a. Honami Koetsu b. Ogata Korin c. Toyo Sesshu d. Kano Eitoku 58. (Figure 34-5) a. Kano Eitoku b. Ogata Korin c. Hasegawa Tohaku d. Honami Koetsu 59. (Figure 34-14) a. Momoyama b. Meiji c. Edo d. Muromachi 60. (Figure 34-3) a. Edo b. Momoyama c. Meiji d. Muromachi     .
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56. (Figure 34-13) a. Katsushika Hokusai b. Toyo Sesshu c. Yosa Buson d. Ogata
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6. Which of the following buildings was the focus of

6. Which of the following buildings was the focus of the north-south axis of the Forbidden City? a. Noon Gate b. Pavilion of cheerful Melodies c. Hall of Preserved Elegance d. Hall of Supreme Harmony 7. Which of the following garden designs would not conform to the Chinese aesthetic? a. geometric design of flowers b. uncultivated irregularities c..
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6. Which of the following buildings was the focus of
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51. (Figure 34-2) a. Edo b. Muromachi c. Momoyama d. Meiji 52. (Figure 34-4) a. Evening

51. (Figure 34-2) a. Edo b. Muromachi c. Momoyama d. Meiji 52. (Figure 34-4) a. Evening Bell at the Clock b. Oiran c. Zen Patriarch Xiangyen Zhixian Sweeping with a Broom d. Kutsugen 53. (Figure 34-8) a. Edo b. Muromachi c. Meiji d. Momoyama 54. (Figure 34-9) a. Katsura Villa b. Saihoji Temple c. Kyoto Palace d. Myokian Temple 55. (Figure 34-7) a. Momoyama b. Edo c. Meiji d. Showa     .
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51. (Figure 34-2) a. Edo b. Muromachi c. Momoyama d. Meiji 52. (Figure 34-4) a. Evening
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SLIDE IDENTIFICATION Select the response that identifies or corresponds best to

SLIDE IDENTIFICATION Select the response that identifies or corresponds best to the image on the screen. 37. (Figure 33-2) a. Yuan b. Ming c. Qing d. Song 38. (Figure 33-20) a. Shitao b. Lang Shining c. Chong Son d. Song Su-Nam 39. (Figure 33-15) a. Wu Shu b. Wu Shen c. Shen Zhou d. Shitao 40. (Figure 33-4) a. Joseon b. Ming c. Qing d. Yuan 41. (Figure 33-11) a. Lingering Garden b. Oval.
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SLIDE IDENTIFICATION Select the response that identifies or corresponds best to
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