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  11.The development of the blimp allowed the camera to move silently in and out of a        scene. 12.Sergei Eisenstein believed that synchronous sound would allow more flexibility in             editing. 13.Mae West's “lewd” comic style fueled the wrath of censors, ushering in the        puritanical Production Code in 1934. 14.The use of.
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  21. fast stock   a. wide-angle shot 22. storyboarding   b. key+fill+back light 23. backlighting   c. neutralizes planes 24. establishing shot   d. serious and artistic 25. three-point lighting   e. tends to produce a grainy image 26. deep-focus shot   f.  individual frame drawings 27. low-key lighting   g. extreme long shot 28. rack focusing   h. characteristic of comedies and musicals 29. high-key lighting   i. can throw off compositional balance 30. colorization   j. semisilhouette;.
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  16.1   Multiple Choice Questions 1) The act of convincing an audience, through verbal and nonverbal communication, to adopt or change an attitude, belief, or value, or to take an action is called  a) motivation. b)refutation. c)persuasion. d)argumentation. 2) What is the minister doing when he tries to convince the congregation to contribute 10 percent of.
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1.A sense of tension in the film audience can be produced by a.low-frequency sounds. b.slow, plodding sounds. c.high-pitched sounds. d.soft, low-pitched sounds. 2.In Scarface, Shame of a Nation, Howard Hawks emphasized ____________ by having the dialogue delivered at 30 to 40 percent faster than normal. a.tension b.speed c.confusion d.excitement 3.Most of the talented film directors of the early sound era,.
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  21. sound montage   a. reveals a character's thoughts 22. dubbing   b. used to suggest character 23. subtext   c. accent spoken nowhere but on stage and 24. transatlantic dialect   screen 25. Off-screen narration   d. dramas with musical numbers 26. voice-over   e. often bursts of song and dance in the 27. realistic musical   middle of a scene 28. musical motif   f. gives movie a sense of objectivity 29..
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  16.3   True/False Questions 1)Persuasion is the act of convincing an audience, through verbal and nonverbal communication, to adopt or change an attitude, belief or value, or to take an action. Answer: TRUE 2)Persuasion is simple and easy because the group the speaker must appeal to has the same frame-ofreference as the audience. Answer: FALSE 3)The.
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  21.John Wayne 22.James Cagney 23.Esther Williams 24.Ingrid Bergman  25.Toby Maguire 26.Laurence Olivier 27. Robert De Niro   28. Kate Winslet   29. Marlon Brando   30. Sandra Bullock     a.first American female star to combine fitness with beauty b.a deft underplayer who seems to be behaving rather than acting c.most popular star in film history d.a favorite with the public but not.
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1.For most filmmakers, the favored position to photograph an actor is a.full front. b.quarter turn. c.half turn. d.back to camera. 2.Longer, loosely framed shots are typically used to convey a sense of a.entrapment. b.chaos. c.freedom. d.hostility. 3.An iris is a.a special blue light filter. b.the focal point in classical composition. c.a powerful wide-angle lens. d.a circular or oval mask that can open up or.
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1.A shot that begins with a close view of the subject and then withdraws to reveal a larger context is called a a.process shot. b.dissolve. c.swish pan. d.pull-back dolly shot. 2.Present day movie cameras record images at a.12 frames per second. b.18 frames per second. c.24 frames per second. d.35 frames per second. 3.Like the words kinetic, kinesthesia, and choreography,.
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  11.Cutting to continuity preserves an event’s fluidity without literally showing all of it. 12.In an eyeline match, if a character looks left, the camera appears to cut to the left to preserve the logic. 13.There are no fixed rules concerning rhythm in films. 14.Parallel editing cross-cuts alternates shots between (usually).
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  11.Lyrical movements make an audience respond to the movements’ beauty rather than suggest a symbolic expression or idea. 12.Physical movement from right to left seems psychologically natural, whereas movement from left to right often seems tense and uncomfortable. 13.Handheld shots are generally less lyrical, more noticeable than vehicular shots. 14.Stasis.
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  34.What is the general function of a cinematographer in the production of a film? 35.What are the basic differences between painterly and linear styles in the photographic arts, which include filmmaking? 36.How does the concept of lyricism, a term most often associated with music and poetry, function within the context of filmmaking?   .
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  37.Briefly discuss the difference of philosophies regarding the function of cinematography during the big-studio era of the 1930s and 40s, and contemporary filmmaking. 38.Briefly discuss the differences in the use of lenses and filters between realist and formalist filmmakers.   .
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1.Stars with anti-establishment images include all of the following EXCEPT a.Clint Eastwood. b.Jack Nicholson. c.Gary Cooper. d.Bogie. 2.All of the following were noted Method actors EXCEPT a.Marlon Brando. b.James Dean. c.Julie Harris. d.Laurence Olivier. 3.The top male star of the 1930s was a.James Dean. b.James Stewart. c.Charlie Chaplin. d.Clark Gable. 4.Which of the following unusual physical traits may be true of a successful film actor? a.may.
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  16.4   Matching Questions   a)The kind of “character” you communicate to your audience b)Creating a visual image that projects what will happen if our proposal is embraced or rejected c)Demonstrated ability or quality; a measure of a speaker’s knowledge concerning a topic d)Urging the audience to demonstrate its support e)Design focused on creating a sense of.
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  16.5   Essay Questions 1)List and explain the techniques for enhancing your credibility.   2)List the five steps on Monroe’s Motivated Sequence, and the function of each step. Next, choose a persuasive speech topic and use Monroe’s Motivated Sequence to organize your persuasive speech.           .
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  31.The five editing styles can be classified according to how intrusive or interpretive the cutting is. In the following flowchart listing the three general styles of film, insert the correct editing style that best corresponds. Realism                      Classicism                         Formalism a.b.           c.           d.               e. 32.Discuss the early classical style and philosophy of.
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  5) Dunn and Goodnight describe four methods for presenting an informative speech; narration, description, definition, and demonstration. Define and compare description and definition. Define and compare narration and demonstration. Finally, contrast the use of descriptions and definitions with the use of narration and demonstration.         .
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  11.The more realistic the director's techniques, the less necessary it is to rely on the         abilities of the actors. 12.British acting traditions tend to favor a mastery of externals such as diction,        movement, makeup, and body control. 13.Because filmmaking is an art, economic considerations have the lowest priority         in determining.
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  11)Inductive reasoning moves from specific instances to generalizations. Answer: TRUE 12)An incorrect premise means the conclusion is faulty. Answer: TRUE 13)The fallacy that attacks the character of another person is called ad hominem. Answer: TRUE 14)In an analogy, the minor points are not related to the major points, or the conclusion does not logically follow the.
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  6)The step in Monroe’s Motivated Sequence that occurs when we argue how our proposal will meet the need, or resolve the problem described earlier, is called ________ a need.   7)The step in Monroe’s Motivated Sequence that occurs when we create a visual image that projects what will happen if our proposal.
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  11) What are the rules that govern moral behavior? a) Trustworthiness b)Competence c)Dynamism d)Ethics 12) A(n) _____________ argument helps your audience understand your ideas and increases the likelihood that they will be persuaded. a) emotional b)logical c)fallacious d)chronological 13) During a fundraiser in May, 2012, Presidential candidate, Mitt Romney stated, “There are 47 percent of the people who.
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  16.2  Short Answer Questions 1)What is the act of convincing an audience to adopt or change an attitude, belief, or value, or to take an action?   2)When your audience already understands the problem but is looking for the best solutions, then the ________ is the most appropriate way to organize your persuasive.
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  21. cross-cutting     a. the conflict and synthesis of opposites 22. two-shot     b. shot containing both speakers 23. Griffith     c. parallel editing 24. scène à faire   d. directed Potemkin 25. master shot   e. the must-do scene 26. Peckinpah   f. regarded as “the Father of Film” 27. thematic montage   g. same as a sequence shot 28. Eisenstein   h. “Bloody Sam” 29. dialectic   i. editing for dramatic intensity, emotional 30. classical.
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1.Shot/reverse-shot cutting is most commonly used in a.dialogue sequences. b.chase scenes. c.reestablishing shots. d.sequence shots. 2.Which of the following is NOT a convention of classical cutting? a.matching action b.180° rule c.eyeline match d.jump cut 3.The French director who was one of the first to cut to continuity to create “arranged scenes” was a.Louis Lumière. b.Georges Méliès. c.François Truffaut. d.Clade Chabrol. 4.An important film movement post-World.
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  11.The amount of space an organism occupies is generally proportional to the degree of control that organism enjoys. 12.Once a relationship has been established, a simple change in camera set up changes that relationship. 13.Highly symmetrical designs are generally used when a director wishes to stress instability and chaos. 14.Movement.
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  11.Most films are either exclusively formalist or realist in style. 12.Realism and formalism are best used as stylistic terms rather than terms to describe the nature of the subject matter. 13.In general, shots are determined on the basis of how much of the human figure is in view. 14.Film noir.
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  21. masking   22. closed form   23. weights   24. loose frame   25. proxemic patterns   26. window   27. open form   28. subsidiary contrasts   29. anticipatory setups   30. density of texture     a.the movie frame for Hitchcock b.informal, unobtrusive compositions c.method used to achieve a sense of height d.visual compositional elements e.counterbalancing devices to the dominant f.refers to the amount of visual detail in a picture g.self-conscious design, elaborately worked out.
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1.Realism in film emphasizes a.CGI. b.narrative fragmentation. c.the basic experiences of life. d.authorial intrusion. 2.Which device tends to reduce the importance of a subject? a.high-angle shot b.bird's-eye view c.cool colors d.subsidiary contrast 3.Expressionists are often concerned with a.spiritual and psychological truths. b.objective truths. c.story more than style. d.the basic, common experiences of life. 4.Classical cinema a.employs loosely organized plots. b.subordinates plot and character to social themes. c.avoids the.
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  21. crane shot   22. Singin’ in the Rain   23. tracking shot   24. aerial shots   25. movement   26. freeze frame   27. swish pan   28. Shrek   29. Who Framed Roger Rabbit?   30. reaction shot     a.a variation of the crane shot often involving use of a helicopter b.Oscar for Best Animated Feature with strikingly sculpted CGI characters c.features lyrical crane shots in counterpoint to the dancers d.captures.
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